Lauded for his beautiful tone and his nuanced musical and textual interpretation, baritone Alan Dunbar is a versatile performer, at home in opera, oratorio, art song, and folk and popular music. Upcoming engagements include Schaunard in Madison Opera's La Bohème, baritone soloist in the Lima Symphony Orchestra's performance of the Fauré Requiem, and a recital with the Schubert Club Museum Series in St. Paul, MN.
Recent performances and accolades include Bartolo in Il barbiere di Siviglia at Madison Opera, Samuel Barber's Dover Beach at the Apollo Chamber Music Festival, Owen Hart in Madison Opera's Dead Man Walking, the title role of Britten’s Noye’s Fludde at Santa Fe Opera, Handel’s Messiah with the Santa Fe Symphony and Indianapolis Chamber Orchestra, and recitals at the Ravinia Festival Steans Institute. In 2012 Alan debuted with Madison Opera as Alidoro in La Cenerentola, and covered the lead role of Prophet/King in the world premiere of Dark Sisters with Gotham Chamber Opera and Opera Company of Philadelphia. During the 2010 and 2011 seasons at Santa Fe Opera Alan sang the Composer and the cover of Mr. Scattergood in Menotti's The Last Savage, sang Yakuside in Madama Butterfly, covered the role of Clotaldo in the world premiere of Louis Spratlan’s Life is a Dream, and performed the role of Sweeney Todd in the Santa Fe Opera Apprentice Scenes. In 2009 Alan made his European solo recital debut at the Oslo Grieg Festival, performed as bass soloist in Stravinsky’s Pulcinella under Rafael Frühbeck de Burgos at the Tanglewood Music Festival, and won the grand prize at the 2009 Grieg Festival in Winter Park, FL. Other opera appearances include the title role in Bartók’s Bluebeard’s Castle at the Natchez Opera Festival, and Zaretsky in Eugene Onegin at the Tanglewood Music Festival with Renée Fleming and Peter Mattei. During his tenure at Indiana University, he sang principal roles in twelve IU Opera Theater productions, including Pandolfe in Massenet’s Cendrillon, Leporello (Don Giovanni), Dulcamara (L'elisir d'Amore), Don Alfonso (Così fan tutte), and Jules Goddard (A Wedding).
In addition to opera, Alan has extensive experience on the concert stage where he has performed the bass solos in Mendelssohn's Elijah, Bach's St. John's Passion, Handel's Dettingen Te Deum and Messiah, the Mozart Requiem, Haydn's Missa in Tempore Belli, and Schumann's Requiem für Mignon. He has collaborated with choreographer/director Mark Morris in performances with the Mark Morris Dance Group, as well as in the Stravinsky chamber opera Renard.
Alan holds a BA in music theory and composition from St. Olaf College in Northfield, MN, and an MM and DM in vocal performance from Indiana University, where he studied with Costanza Cuccaro. From 1998 to 2004 Alan sang throughout North America and Europe with the Minnesota-based internationally acclaimed male chamber vocal ensemble Cantus. During his tenure with Cantus, he recorded ten albums and appeared as a soloist with the St. Paul Chamber Orchestra, at the Oregon Bach Festival, the 2002 World Choral Symposium, and the 2003 Polyphonia Festival in Normandy, France. He has also composed and arranged many pieces for the ensemble, including Alleluia Amen, The Wreck of the Edmund Fitzgerald (Gordon Lightfoot), Bashana Haba'ah (Manor/Hirsh), and Stick to the Craythur (trad. Irish).
Copyright © 2011 Alan Dunbar